Sunday, 29 October 2017

Alone in Berlin

Alone in Berlin by Hans Fallada

Inspired by a true story, Hans Fallada's Alone in Berlin is the gripping tale of an ordinary man's determination to defy the tyranny of Nazi rule. The Penguin Classics edition contains an afterword by Geoff Wilkes, as well as facsimiles of the original Gestapo file which inspired the novel.
Berlin, 1940, and the city is filled with fear.

Every Man Dies Alone or Alone in Berlin (German: Jeder stirbt für sich allein) is a 1947 novel by German author Hans Fallada. It is based on the true story of a working class husband and wife who, acting alone, became part of the German Resistance. They were eventually discovered, denounced, arrested, tried and executed. Fallada's book was one of the first anti-Nazi novels to be published by a German after World War II.
Synopsis:  At the house on 55 Jablonski Strasse, its various occupants try to live under Nazi rule in their different ways: the bullying Hitler loyalists the Persickes, the retired judge Fromm and the unassuming couple Otto and Anna Quangel. Then the Quangels receive the news that their beloved son has been killed fighting in France. Shocked out of their quiet existence, they begin a silent campaign of defiance, and a deadly game of cat and mouse develops between the Quangels and the ambitious Gestapo inspector Escherich. When petty criminals Kluge and Borkhausen also become involved, deception, betrayal and murder ensue, tightening the noose around the Quangels' necks ...

The novel has been made into a film starring Brendan Gleeson and Emma Thompson and reviewed in The Guardian as follows:

https://www.theguardian.com/film/2016/feb/15/alone-in-berlin-review-film-festival-nazi-germany-emma-thompson



Murders in the Community - one genre, two very different eras and styles

The Dry by Jane Harper (2015)

Synopsis:

After getting a note demanding his presence, Federal Agent Aaron Falk arrives in his hometown for the first time in decades to attend the funeral of his best friend, Luke. Twenty years ago when Falk was accused of murder, Luke was his alibi. Falk and his father fled under a cloud of suspicion, saved from prosecution only because of Luke’s steadfast claim that the boys had been together at the time of the crime. But now more than one person knows they didn’t tell the truth back then, and Luke is dead.
Amid the worst drought in a century, Falk and the local detective question what really happened to Luke. As Falk reluctantly investigates to see if there’s more to Luke’s death than there seems to be, long-buried mysteries resurface, as do the lies that have haunted them. And Falk will find that small towns have always hidden big secrets.

What I thought:
This novel is described as a breathless page-turner.  Well certainly the second if not pacey.  I did not want to put the book down, I needed to find out who killed the Hadler family.  Let's call it a satisfactory thriller, not a brilliant one, but it is well plotted.  The writing is adequate, it was not a style of writing which made me squirm, or want to get out my red pen!!   I have some picky gripes though.  The author does not make a strong case for the supposition at the outset, that there is more to the killings than a matter of the father killing his wife and child.  That there is foul play which goes beyond a domestic tragedy.  It would be more logical to lay some reasons for this before the reader.  Early on in the narrative the present day killings are linked to the death of Ellie Deacon twenty years earlier.  This gives a bit more length and substance to the novel.  Quite a lot of the book is given over to the flashback narrative (italicised) leading up to Ellie's death.  The whispering campaign against Aaron Falk kicks off without a real explanation.  We learn that the alibi Luke and Aaron have is flawed but that is not widely known.  I did think that the author was quite skilful in placing Gretchen as a possible culprit when she wrote the rabbit-shooting scene two thirds of the way through, throwing in the question of paternity for her child for good measure.  Ultimately I thought the matter of the proper interpretation of the word 'grant' was a clever device to introduce a perpetrator and a motive.  One of those twists you look for in a whodunit.  The finding of the rucksack corroborated Aaron's suspicion that Ellie Deacon was being abused.  I also thought the denouement taking place in the tinder-box conditions of the parched terrain on the outskirts of the town was a clever way to bring a resolution in the context of the extreme drought which had put the town under so much tension.  There were enough twists and turns in the plot to keep the story moving.  I enjoyed it.

The Hog's Back Mystery by Freeman Wills Crofts (1933)

Amazon

Dr James Earle and his wife live in comfortable seclusion near the Hog's Back, a ridge in the North Downs in the beautiful Surrey countryside. When Dr Earle disappears from his cottage, Inspector French is called in to investigate. At first he suspects a simple domestic intrigue - and begins to uncover a web of romantic entanglements beneath the couple's peaceful rural life. The case soon takes a more complex turn. Other people vanish mysteriously, one of Dr Earle's house guests among them. What is the explanation for the disappearances? If the missing people have been murdered, what can be the motive? This fiendishly complicated puzzle is one that only Inspector French can solve. Freeman Wills Crofts was a master of the intricately and ingeniously plotted detective novel, and The Hog's Back Mystery shows him at the height of his powers. This new edition of a classic is introduced by Martin Edwards.

Review from Crime Review


Review

Julia Earle, living near Farnham in Surrey, has invited her sister, Marjorie and an old school friend, Ursula, to stay a few weeks with herself and her husband, Dr James Earle. It becomes clear that all is not well with Julia's marriage. Could she be having an affair with a younger neighbour or is her husband the one having an affair? The marriage is going to be put under a spotlight because, a few days into the visit, Dr Earle vanishes from his house, as quietly and completely as though he had been spirited away.

When the local police are unable to find Dr Earle or any plausible reason for his disappearance they call in help from Scotland Yard. Thus, Inspector Joseph French arrives on the scene. It soon becomes clear that this is not a simple disappearance; another woman has gone missing in the area. Is this murder, or an affair? French has to puzzle through a tangle of alibis, clues and lies to get to the truth.

Freeman Wills Crofts was a crime writer during the 'Golden Age' of crime fiction. And this book is very much set in that era; middle class people in the mid-war years. There are maids, cooks, drivers and gardeners to interview. Chemists make up powders according to doctors' individual recipes. French rarely travels by car, but uses trains, bicycles and his own feet as he traces the crime around the Hog's Back hill.

Crofts was also a member of the Detection Club, and one of the tenets of that body was that the author should 'play fair' with the reader so that they could solve the puzzle from the information presented in the book. And this book is very much a puzzle. There are no deep, psychological insights into the human condition or the criminal mind to be found here. Indeed, it does not seem that Crofts is particularly interested in the personalities of the people involved. I felt I knew as much about a clue-bearing chemist as I did about the main players. It turns out that the murderer has the simplest of motives, but a very complex means of achieving it.

Did Crofts play fair? Yes, and to prove it page numbers are provided when French is explaining things. I did not solve the crime, only spotting one dodgy alibi and the body disposal site. In my defence, the explanation requires (and provides) a timetable of the suspects’ whereabouts and a map showing their movements.

I enjoyed this book, and it's worth reading just to see how far the genre has developed since it was written.

Tuesday, 3 October 2017

Exit West

Exit West by Mohsin Hamid

I chose to listen to this book on Audible.  I found it less compelling and able to hold my concentration than other recent audio reads.  Elmet for example, and The Sound of One Hand Clapping.

This is the second novel by this author that I have read and for me does not measure up to the standard of that best seller.  The Reluctant Fundamentalist, told the story of a Pakistani man who decides to leave his high-flying life in America after a failed love affair and the terrorist attacks of 9/11. It was published in 2007 and became a million-copy international best seller, reaching No.4 on the New York Times Best Seller list. The novel was shortlisted for the Man Booker Prize, won several awards including the Anisfield-Wolf Book Award and the Asian American Literary Award, and was translated into over 25 languages. The Guardian selected it as one of the books that defined the decade.

Of Exit West the Amazon review states:  In a country teetering on the brink of civil war, two young people meet—sensual, fiercely independent Nadia and gentle, restrained Saeed. They embark on a furtive love affair, and are soon cloistered in a premature intimacy by the unrest roiling their city. When it explodes, turning familiar streets into a patchwork of checkpoints and bomb blasts, they begin to hear whispers about doors—doors that can whisk people far away, if perilously and for a price. As the violence escalates, Nadia and Saeed decide that they no longer have a choice. Leaving their homeland and their old lives behind, they find a door and step through. . . .
Exit West follows these remarkable characters as they emerge into an alien and uncertain future, struggling to hold on to each other, to their past, to the very sense of who they are. Profoundly intimate and powerfully inventive, it tells an unforgettable story of love, loyalty, and courage that is both completely of our time and for all time.

The Guardian review attempts to analyse the structure of the book, the mixing of genre whilst saying very little about the story the narrative attempts to tell.

https://www.theguardian.com/books/2017/mar/12/exit-west-mohsin-hamid-review-refugee-crisis

Clearly Exit West has found favour as a potential prize winner:

SHORTLISTED FOR THE 2017 MAN BOOKER PRIZE

FINALIST FOR THE 2017 KIRKUS PRIZE

SHORTLISTED FOR THE BROOKLYN PUBLIC LIBRARY AWARD

SHORTLISTED FOR THE NEUSTADT INTERNATIONAL PRIZE FOR LITERATURE

Friday, 22 September 2017

Briefing for a Descent into Hell

Briefing for a Descent into Hell by Doris Lessing

This was a tricky read for me.  One might have thought it would have stirred up some ghosts as it relates to a mental illness, a breakdown and how it was dealt with by the medical profession and by the protagonists friends and family.  But it wasn't a matter of stirring up the muddy waters of my protracted bout of anxiety with depression, it was the burden of getting into the book and being engaged by it.  The opening section of the novel is lengthy and I found this rather heavy-going, turgid to get through.  Once the unrelenting narrative of the protagonist's dream whilst he spent the early weeks of his illness sleeping had been accounted for, the novel opened up into some sort of 'action' in terms of interaction between Professor Charles Watkins and the doctors into whose care he had been placed and with the people who visited him.  Exchanges of letters are interspersed as well as accounts of episodes in Watkins' past.  In the end three letters suggest he has made a complete recovery but whether this is because the advice of one doctor that the patient should be administered with EST or not is not made clear.

Here is a synopsis
A study of a man beyond the verge of a nervous breakdown, this is a brilliant and disturbing novel by Doris Lessing, winner of the Nobel Prize for Literature.  Penniless, rambling and incoherent, a man is found wandering at night on London's Embankment.
Taken to hospital and heavily sedated, he tells the doctors of his incredible fantastical voyage, adrift on the ocean, landing on unknown shores, flying on the back of a huge white bird.  Identified as Charles Watkins, a Cambridge Classics professor, he is visited by family and friends, each revealing clues to the nature of his breakdown.
As the doctors try to cure him, Watkins begins a fierce battle to hold on to his magnificent inner world, as it gradually acquires a greater reality than the everyday...`Briefing for a Descent into Hell' is one of Doris Lessing's most brilliantly achieved novels, linking her early work, which explored the nature of subjectivity, with her later experiments in science fiction.
Its indictment of the tyranny of society is powerful, disturbing and, as always, magnificently rendered.

And this is what appears on the dust jacket of the first edition in 1971:

Doris Lessing's new novel - which she defines as inner space fiction - is an incomparably exciting voyage into the marvellous, terrifying, unexplored, yet sometimes glimpsed territory of the inner man.
Professor Charles Watkins (Classics), doomed to spin endlessly in the currents of the Atlantic, makes a landfall at last on a tropical shore. He discovers a reined stone city, participates - moon-dazed - in bloody rituals in the paradisiacal forest, witnesses the savage war of the Rat-dogs and is borne on the back of the lordly White Bird across the sea of the dead. Finally, the Crystal claims him, whirling him out into space on a breathtaking cosmic journey.
Yet this most exotic of trips is as firmly rooted in the reality of a mental breakdown as De Quinceys fantasies were in the chemistry of opium. Watkins is a patient of Central Intake Hospital, an enigma to the doctors who try with ever more powerful drugs to subdue his minds adventure, a candidate for electric shock treatment. In a series of extraordinary letters - brilliantly illuminating both the writers and their subject - Watkins is reconstructed by those who have known him: the forgotten women who have loved him, or been awakened by him; the pendant, incensed by his intellectual anarchy; the wartime colleague around whose exploits with the Yugoslav partisans Watkins builds an astonishing fantasy.
Doris Lessing believes that society's treatment of the mentally ill is civilizations biggest and blackest blind spot, and that it is through the minds of the broken-down that truths we choose to shut out enter like the disguised messengers in myths and fairy tales. Developing themes central to The Golden Notebook and The Four Gated City, this book is her most astounding imaginative achievement - a rare work which explores new areas of thought.

There is much to learn about Doris Lessing from her website:  http://www.dorislessing.org/

In 2007 she was awarded the Nobel Prize for Literature
https://www.nobelprize.org/nobel_prizes/literature/laureates/2007/

I am fascinated to discover this Prize has been going since 1901.

Monday, 11 September 2017

Orkney

Orkney by Amy Sackville

I saw this book and liked the title, because I have been there, and the cover looked interesting.  It showed promise of things marine, maybe mermaids.  But, what a strange reading experience this was.  Once I got into it and worked out what I thought was 'going on' I read it as one sort of story to find that most other people (reviewers) have taken the narrative, as it were, at face value.


On a remote island in Orkney, a curiously matched couple arrive on their honeymoon. He is an eminent literature professor; she was his pale, enigmatic star pupil as much as forty years his junior.

Alone beneath the shifting skies of this untethered landscape, the professor realises how little he knows about his new bride and yet, as the days go by and his mind turns obsessively upon the creature who has so beguiled him, she seems to slip ever further from his yearning grasp. Where does she come from? Why did she ask him to bring her north? What is it that constantly draws her to the sea?

Here I thought was a novel about the professor's imagination, his fantasy, his delusion.  There he was in the rented cottage and everything that transpired was a dream born of an infatuation he had developed for his student.

I quite expected this to be revealed to the reader, in some very subtle way but unless I am rather dense, the ending resolved with the disappearance of the young woman, with no hint of explanation as to where, how, why.  The ending was very unsatisfactory indeed.

What I could commend the book for is a narrative frequently interwoven with evocative descriptions of the maritime beauty of the setting for the novel, the ever-changing faces of the beach, the shore, above all the sea.  That is a milieu in which I have spent many many hours pursuing my passion for conchology.  Sackville has received appreciative review of her lyrical use of language but as a novel I could neither believe in it as a fantasy, nor as a poetic and enigmatic account of a honeymoon on a remote island.

Published reviews:

http://www.independent.co.uk/arts-entertainment/books/reviews/review-orkney-by-amy-sackville-8498004.html

https://www.scottishreviewofbooks.org/2013/01/oxygen-by-amy-sackville/


Friday, 25 August 2017

American Writers on topics of family conflict, human morality, integrity

American Literature   

The Surface of Earth by Reynolds Price

Published in 1975, The Surface of Earth is the monumental narrative that charts the slow, inextricable twining of the Mayfield and Kendal families. Set in the plain of North Carolina and the coast and hills of Virginia from 1903 to 1944, it chronicles the marriage of Forrest Mayfield and Eva Kendal, the hard birth of their son, Eva's return to her father after her mother's death, and the lives of two succeeding generations.
The Surface of Earth is the work of one of America's supreme masters of fiction, a journey across time and the poignantly evoked America of the first half of our century that explores the mysterious topography of the powers of love, home, and identity. In his evocation of the hungers, defeats, and rewards of individuals in moments of dark solitude and radiant union, Price has created an enduring literary testament to the range of human life.

This was a dense reading experience for me.  The voice and the plotting were authentically American.

A lengthy review has been written by Richard Gilman for the New York Times

Stoner by JohnWilliams

William Stoner enters the University of Missouri at nineteen to study agriculture.
A seminar on English literature changes his life, and he never returns to work on his father's farm. Stoner becomes a teacher. He marries the wrong woman. His life is quiet, and after his death his colleagues remember him rarely. Yet with truthfulness, compassion and intense power, this novel uncovers a story of universal value. Stoner tells of the conflicts, defeats and victories of the human race that pass unrecorded by history, and reclaims the significance of an individual life. A reading experience like no other, itself a paean to the power of literature, it is a novel to be savoured.

Both these novels were recommended by an American friend who is an academic man, a keen reader.  Neither, I think, would have come to my attention without that signpost.  Thanks Ty.

Wartime Scenarios - Real and Imagined

Introduction

The Second World War is such a pivotal event in human history that affected generations have inevitably speculated about what might have happened had the momentum swung slightly another way. Variations on Hitler's defeat by the allies have become a recurrent strain in the genre of counter-factual or alternative-history fiction.

The premise of a German and Japanese triumph has inspired writers from Philip K Dick to Robert Harris, whose Fatherland (1992) consciously offers a German-American parallel to the Nazi-invaded Britain of Len Deighton's SS-GB (1978); in Philip Roth's The Plot Against America (2004), President Roosevelt loses the 1940 US election to the isolationist, pro-fascist Charles Lindbergh. Now comes CJ Sansom's provocative thriller Dominion, depicting a Britain that surrendered to Germany on 9 May 1940 – the day before Churchill, in the real world, became PM – and now serves as a satellite state of a triumphant Third Reich.

Dominion by C N Sansom
1952. Twelve years have passed since Churchill lost to the appeasers and Britain surrendered to Nazi Germany after Dunkirk. As the long German war against Russia rages on in the east, the British people find themselves under dark authoritarian rule: the press, radio and television are controlled; the streets patrolled by violent auxiliary police and British Jews face ever greater constraints. There are terrible rumours too about what is happening in the basement of the German Embassy at Senate House. Defiance, though, is growing. In Britain, Winston Churchill's Resistance organization is increasingly a thorn in the government's side. And in a Birmingham mental hospital an incarcerated scientist, Frank Muncaster, may hold a secret that could change the balance of the world struggle for ever.

Civil Servant David Fitzgerald, secretly acting as a spy for the Resistance, is given the mission to rescue his old friend Frank and get him out of the country. Before long he, together with a disparate group of Resistance activists, will find themselves fugitives in the midst of London's Great Smog; as David's wife Sarah finds herself drawn into a world more terrifying than she ever could have imagined. And hard on their heels is Gestapo Sturmbannfuhrer Gunther Hoth, brilliant, implacable hunter of men . . .

At once a vivid, haunting reimagining of 1950s Britain, a gripping, humane spy thriller and a poignant love story, with Dominion C. J. Sansom once again asserts himself as the master of the historical novel.

Independent Review

C J Sansom is fascinated by the abuse of power, so it's not surprising that, hot on the heels of his splendid Shardlake series, comes a novel set in a post-war Britain dominated by Nazi ideology. Following the defeat at Dunkirk, the fascists have been in government for more than a decade, Churchill leads the Resistance, Jews are being deported and David Fitzgerald is a civil servant who has agreed to spy for – or against – his country.

There have been a number of other novels imagining this kind of alternate history – Robert Harris's Fatherland, Owen Sheers' Resistance, Len Deighton's SS-GB and, for children, Sally Gardner's Maggot Moon. All are outstanding in different ways but Sansom's Dominion is the most thoroughly imagined in all its ramifications.

Like Harris, Sansom has woven a thriller with the tale of a man's growth into moral courage, but he has done it with the compassion and richness that many literary writers should emulate. Every detail of this nightmare Britain rings true, from the way that morris dancing is televised as a cultural expression of nationalism to the absence of the name "Lyons" in Corner Houses. Cowardice and collaboration are everywhere. "We used to think the British people would never become Fascists … but … anybody can, given the right set of circumstances," David's wife, Sarah, says. The French will love this.

When Frank Muncaster, one of David's university friends, is sent to a lunatic asylum after learning a top scientific secret, all three are in mortal danger. David has kept his half-Jewish identity secret, and the Gestapo has put Gunther, a brilliant hunter of Jews, on his trail. Even though Hitler is declining with Parkinson's disease, the British government, led by Lord Beaverbrook, Oswald Mosley and Enoch Powell, will not stand up for British people.

As in Sansom's Winter in Madrid, the clash between compassion and political conviction is dramatised. David's looks and talent make him as freakish in his way as frail, disabled Frank, and the friendship between someone who can survive institutions and someone who cannot is one of the most affecting aspects of the novel. Sarah is a less satisfactory character: despite her well-drawn grief and jealousy, you never feel that she experiences the humiliating anxiety of intelligent women who are wholly dependent on their husbands.

Naturally, the weather is awful, and obliges with a choking, oily fog as our heroes battle against hideous odds to get to safety. But both as a historical novel and a thriller, Dominion is absorbing, mordant and written with a passionate persuasiveness. Furthermore, it is confident enough of itself to be published without a swastika on the cover. Bravo


The Nightingale by Kristin Hannah

Despite their differences, sisters Viann and Isabelle have always been close. Younger, bolder Isabelle lives in Paris while Viann is content with life in the French countryside with her husband Antoine and their daughter. But when the Second World War strikes, Antoine is sent off to fight and Viann finds herself isolated so Isabelle is sent by their father to help her.

As the war progresses, the sisters' relationship and strength is tested. With life changing in unbelievably horrific ways, Viann and Isabelle will find themselves facing frightening situations and responding in ways they never thought possible as bravery and resistance take different forms in each of their actions.

Be prepared to weep when you read this book. What these women went through, what they suffered, what they saw. The brutality of it all and the unfairness of their situation – grabs you by the throat and never lets you go.

What the novel excels at is the stark portrayal of the decisions these women faced on a daily basis. Imagine having a Nazi soldier take over your home? Your children starving because of the rations, the inability to do and go where you want? The fear and the not knowing.. The Nazis do everything to break the spirit of the French people and the death camps are in full operation.

The relationship between the two sisters changes throughout the novel and the story of each one – how they came to be where they are and how they deal with their ‘ lot’ in life was fascinating and so well written. Decisions in wartime are unlike any other and these two very different personalities really gave a full and heartbreaking picture.