Sunday 29 October 2017

Alone in Berlin

Alone in Berlin by Hans Fallada

Inspired by a true story, Hans Fallada's Alone in Berlin is the gripping tale of an ordinary man's determination to defy the tyranny of Nazi rule. The Penguin Classics edition contains an afterword by Geoff Wilkes, as well as facsimiles of the original Gestapo file which inspired the novel.
Berlin, 1940, and the city is filled with fear.

Every Man Dies Alone or Alone in Berlin (German: Jeder stirbt für sich allein) is a 1947 novel by German author Hans Fallada. It is based on the true story of a working class husband and wife who, acting alone, became part of the German Resistance. They were eventually discovered, denounced, arrested, tried and executed. Fallada's book was one of the first anti-Nazi novels to be published by a German after World War II.
Synopsis:  At the house on 55 Jablonski Strasse, its various occupants try to live under Nazi rule in their different ways: the bullying Hitler loyalists the Persickes, the retired judge Fromm and the unassuming couple Otto and Anna Quangel. Then the Quangels receive the news that their beloved son has been killed fighting in France. Shocked out of their quiet existence, they begin a silent campaign of defiance, and a deadly game of cat and mouse develops between the Quangels and the ambitious Gestapo inspector Escherich. When petty criminals Kluge and Borkhausen also become involved, deception, betrayal and murder ensue, tightening the noose around the Quangels' necks ...

The novel has been made into a film starring Brendan Gleeson and Emma Thompson and reviewed in The Guardian as follows:

https://www.theguardian.com/film/2016/feb/15/alone-in-berlin-review-film-festival-nazi-germany-emma-thompson



Murders in the Community - one genre, two very different eras and styles

The Dry by Jane Harper (2015)

Synopsis:

After getting a note demanding his presence, Federal Agent Aaron Falk arrives in his hometown for the first time in decades to attend the funeral of his best friend, Luke. Twenty years ago when Falk was accused of murder, Luke was his alibi. Falk and his father fled under a cloud of suspicion, saved from prosecution only because of Luke’s steadfast claim that the boys had been together at the time of the crime. But now more than one person knows they didn’t tell the truth back then, and Luke is dead.
Amid the worst drought in a century, Falk and the local detective question what really happened to Luke. As Falk reluctantly investigates to see if there’s more to Luke’s death than there seems to be, long-buried mysteries resurface, as do the lies that have haunted them. And Falk will find that small towns have always hidden big secrets.

What I thought:
This novel is described as a breathless page-turner.  Well certainly the second if not pacey.  I did not want to put the book down, I needed to find out who killed the Hadler family.  Let's call it a satisfactory thriller, not a brilliant one, but it is well plotted.  The writing is adequate, it was not a style of writing which made me squirm, or want to get out my red pen!!   I have some picky gripes though.  The author does not make a strong case for the supposition at the outset, that there is more to the killings than a matter of the father killing his wife and child.  That there is foul play which goes beyond a domestic tragedy.  It would be more logical to lay some reasons for this before the reader.  Early on in the narrative the present day killings are linked to the death of Ellie Deacon twenty years earlier.  This gives a bit more length and substance to the novel.  Quite a lot of the book is given over to the flashback narrative (italicised) leading up to Ellie's death.  The whispering campaign against Aaron Falk kicks off without a real explanation.  We learn that the alibi Luke and Aaron have is flawed but that is not widely known.  I did think that the author was quite skilful in placing Gretchen as a possible culprit when she wrote the rabbit-shooting scene two thirds of the way through, throwing in the question of paternity for her child for good measure.  Ultimately I thought the matter of the proper interpretation of the word 'grant' was a clever device to introduce a perpetrator and a motive.  One of those twists you look for in a whodunit.  The finding of the rucksack corroborated Aaron's suspicion that Ellie Deacon was being abused.  I also thought the denouement taking place in the tinder-box conditions of the parched terrain on the outskirts of the town was a clever way to bring a resolution in the context of the extreme drought which had put the town under so much tension.  There were enough twists and turns in the plot to keep the story moving.  I enjoyed it.

The Hog's Back Mystery by Freeman Wills Crofts (1933)

Amazon

Dr James Earle and his wife live in comfortable seclusion near the Hog's Back, a ridge in the North Downs in the beautiful Surrey countryside. When Dr Earle disappears from his cottage, Inspector French is called in to investigate. At first he suspects a simple domestic intrigue - and begins to uncover a web of romantic entanglements beneath the couple's peaceful rural life. The case soon takes a more complex turn. Other people vanish mysteriously, one of Dr Earle's house guests among them. What is the explanation for the disappearances? If the missing people have been murdered, what can be the motive? This fiendishly complicated puzzle is one that only Inspector French can solve. Freeman Wills Crofts was a master of the intricately and ingeniously plotted detective novel, and The Hog's Back Mystery shows him at the height of his powers. This new edition of a classic is introduced by Martin Edwards.

Review from Crime Review


Review

Julia Earle, living near Farnham in Surrey, has invited her sister, Marjorie and an old school friend, Ursula, to stay a few weeks with herself and her husband, Dr James Earle. It becomes clear that all is not well with Julia's marriage. Could she be having an affair with a younger neighbour or is her husband the one having an affair? The marriage is going to be put under a spotlight because, a few days into the visit, Dr Earle vanishes from his house, as quietly and completely as though he had been spirited away.

When the local police are unable to find Dr Earle or any plausible reason for his disappearance they call in help from Scotland Yard. Thus, Inspector Joseph French arrives on the scene. It soon becomes clear that this is not a simple disappearance; another woman has gone missing in the area. Is this murder, or an affair? French has to puzzle through a tangle of alibis, clues and lies to get to the truth.

Freeman Wills Crofts was a crime writer during the 'Golden Age' of crime fiction. And this book is very much set in that era; middle class people in the mid-war years. There are maids, cooks, drivers and gardeners to interview. Chemists make up powders according to doctors' individual recipes. French rarely travels by car, but uses trains, bicycles and his own feet as he traces the crime around the Hog's Back hill.

Crofts was also a member of the Detection Club, and one of the tenets of that body was that the author should 'play fair' with the reader so that they could solve the puzzle from the information presented in the book. And this book is very much a puzzle. There are no deep, psychological insights into the human condition or the criminal mind to be found here. Indeed, it does not seem that Crofts is particularly interested in the personalities of the people involved. I felt I knew as much about a clue-bearing chemist as I did about the main players. It turns out that the murderer has the simplest of motives, but a very complex means of achieving it.

Did Crofts play fair? Yes, and to prove it page numbers are provided when French is explaining things. I did not solve the crime, only spotting one dodgy alibi and the body disposal site. In my defence, the explanation requires (and provides) a timetable of the suspects’ whereabouts and a map showing their movements.

I enjoyed this book, and it's worth reading just to see how far the genre has developed since it was written.

Tuesday 3 October 2017

Exit West

Exit West by Mohsin Hamid

I chose to listen to this book on Audible.  I found it less compelling and able to hold my concentration than other recent audio reads.  Elmet for example, and The Sound of One Hand Clapping.

This is the second novel by this author that I have read and for me does not measure up to the standard of that best seller.  The Reluctant Fundamentalist, told the story of a Pakistani man who decides to leave his high-flying life in America after a failed love affair and the terrorist attacks of 9/11. It was published in 2007 and became a million-copy international best seller, reaching No.4 on the New York Times Best Seller list. The novel was shortlisted for the Man Booker Prize, won several awards including the Anisfield-Wolf Book Award and the Asian American Literary Award, and was translated into over 25 languages. The Guardian selected it as one of the books that defined the decade.

Of Exit West the Amazon review states:  In a country teetering on the brink of civil war, two young people meet—sensual, fiercely independent Nadia and gentle, restrained Saeed. They embark on a furtive love affair, and are soon cloistered in a premature intimacy by the unrest roiling their city. When it explodes, turning familiar streets into a patchwork of checkpoints and bomb blasts, they begin to hear whispers about doors—doors that can whisk people far away, if perilously and for a price. As the violence escalates, Nadia and Saeed decide that they no longer have a choice. Leaving their homeland and their old lives behind, they find a door and step through. . . .
Exit West follows these remarkable characters as they emerge into an alien and uncertain future, struggling to hold on to each other, to their past, to the very sense of who they are. Profoundly intimate and powerfully inventive, it tells an unforgettable story of love, loyalty, and courage that is both completely of our time and for all time.

The Guardian review attempts to analyse the structure of the book, the mixing of genre whilst saying very little about the story the narrative attempts to tell.

https://www.theguardian.com/books/2017/mar/12/exit-west-mohsin-hamid-review-refugee-crisis

Clearly Exit West has found favour as a potential prize winner:

SHORTLISTED FOR THE 2017 MAN BOOKER PRIZE

FINALIST FOR THE 2017 KIRKUS PRIZE

SHORTLISTED FOR THE BROOKLYN PUBLIC LIBRARY AWARD

SHORTLISTED FOR THE NEUSTADT INTERNATIONAL PRIZE FOR LITERATURE